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【STAGE BEYOND BORDERS】《波麗露》/ ボレロ/ Bolero~The Legend of Anchin and Kiyohime~
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Duration: 34分鐘
本次作品《波麗露》的編舞是壽應的弟子花柳源九郎，他拜於壽應座下，在古典舞踊和創作舞踊這兩個領域均有薰陶。
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Mar 2022
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About the Show
日本國際交流基金會 (Japan Foundation)
由日本國際交流基金會(Japan Foundation)推出的「日本雲端舞台」(STAGE BEYOND BORDERS –Selection of Japanese Performances)，在國際疫情持續當中，嚴選優質的日本舞台劇、舞蹈、傳統藝能等作品線上全版播映，並提供多語字幕，讓世界各地觀眾跨越語言與時空的限制，免費觀賞日本精彩表演藝術作品。 此次與雲劇場合作，精選10部舞蹈作品放映，在表演藝術持續台日友好的情誼。
關於演出《波麗露》/ ボレロ
不乏有人嘗試過把現代舞元素融入日本傳統舞蹈的日本舞踊裡，但多數的實驗都僅限於表面的混合而宣告結束。 作為例外的二代目花柳壽應，他在學習正統日本舞踊的同時，還擔任過編舞大師莫里斯.貝嘉（Maurice Béjart）導演的《歌舞伎》的顧問，在現代舞領域亦有較深的研究，並取得過許多成果。本次作品《波麗露》的編舞是壽應的弟子花柳源九郎，他拜於壽應座下，在古典舞踊和創作舞踊這兩個領域均有薰陶。 這部作品根據《安珍清姬傳說》改編，原作講述了女子（清姬）在追逐她深愛的男子（道成寺僧侶安貞）時，被自己的欲望反噬化作一條大蛇的故事。這個主題據說是《道成寺》，能樂及歌舞伎、舞踊等均有不少根據相同主題編寫的劇目。 日本舞踊的特點是用一把扇子比喻成各種各樣的東西。例如雙手捧扇打開象征經書，舉起蓋頭代表斗笠。在這部作品中，男性舞踊舞者持「二枚扇」（雙扇），綿長相連，展現出山路、河流，甚至是變身後的蛇身，時而進一步表達出登場人物的情緒。 這部作品中除了有日本舞踊特有的表現手法之外，再結合立體空間的舞台設計，以及燈光陰影等手法，展現全新的戲劇效果。清姬的情緒節節攀升，終於化身大蛇，她的情緒渲染與波麗露舞曲的曲調同步。本作可以說是一部為日本舞踊開展出全新可能性的作品。
演出單位｜公益社團法人 日本舞踊協會 / 公益社団法人 日本舞踊協会
Various attempts have been made to incorporate elements of contemporary dance into traditional Nihonbuyo dance, but they have often ended up as superficial mixtures.
HANAYAGI Jyuo II was an exception. While practicing Nihonbuyo, he also has accomplished many achievements with his deep knowledge of contemporary dance, including serving as an advisor to Maurice Béjart for The Kabuki.
The choreography for Boléro was done by HANAYAGI Genkuro, a student of Hisao who has received training in both Japanese classical and creative dance. Boléro is based on the legend of Anchin and Kiyohime. The young Kiyohime chases after her beloved Anchin, the priest of Dojoji Temple. She is consumed by her own obsession and turns into a giant snake. This motif is called “Dojoji-mono” and has been the theme of various performances in Noh, Kabuki and dance.
In Nihonbuyo, a single fan is used to represent various objects. When held in both hands and spread out, it is a scripture; when held over the head, it is a rain hat. In Boléro, the male dancers use a long series of two fans to portray mountain paths, rivers, and even the transformed snake’s body, while expanding on and depicting the characters’ emotions.
In addition to these unique methods of expression, Boléro shows the dramatic effects of the three-dimensional spatial composition and shadowed lighting. The melody of Boléro synchronizes with the growing intensity of Kiyohime’s passion that turns her into a snake. Boléro opens up new possibilities for Nihonbuyo dance.
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